The history of the Valley, according to the legends, begins with Swayambhu, or the "the self-existent". In times uncharted by history, Bodhisattva Manjusri came across a beautiful lake during his travel. He saw a lotus that emitted brilliant light at the lake's center, so he cut a gorge in a southern hill and drained the waters to worship the lotus. Men settled on the bed of the lake and called it the Kathmandu Valley. From then on, the hilltop of the Self-existent Lord has been a holy place.

Swayambhu's light was covered in time because few could bear its intensity. By the thirteenth century, after many layers were added to the original structure that enveloped the Lord's power, a dome-like shape had been acquired. The stupas central mast was damaged and replaced at that time. Peripheral sources of power were discovered on the hilltop as well and stupas, temples, and resthouses were built to honor them. Images of important deities, both Buddhist and Hindu, were also installed. Today, age-old statues and shrines dot the stupa complex. Behind the hilltop is a temple dedicated to Manjusri of Saraswati - the goddess of learning.

Swayambhu is, perhaps, the best place to observe the religious harmony in Nepal. The stupa is among the most ancient in this part of the world, and its worshippers are diverse from Newar nuns, Tibetan monks, and Brahmin priests to lay Buddhists and Hindus. The largest image of the Sakyamuni Buddha in Nepal is in a monastery next to the stupa. Other monasteries here have huge prayer wheels, fine Buddhist paintings, and special butter lamps which may be lit after presenting monetary offerings. Swayambhu is a major landmark of the Valley and looks like a beacon below the Naganun hill. It provides an excellent view of the Kathmandu Valley. Devotees have climbed the steps on the eastern side for centuries. Statues of the Buddha, mini stupas, monasteries and monkeys make the climb to Swayambhu - which is fairly steep - worthwhile. But for someone who is physically disabled or is pressed for time, the western road allows you to get off your transport almost at the base of the stupa.

One day Lord Shiva got tired of his glittering palace on Mt. Kailas, his armies of ghosts and spirits, and even Parbati - his beautiful wife. Through his cosmic powers, he searched for a perfect place where he could holiday. Without telling anyone, he ran away from his palace and came to live in Slesmantak Forest in the Kathmandu Valley. He gained great fame here as Pashupati - Lord of the Animals - before other gods discovered his hiding place and came to fetch him.

The Pashupati where he stayed has received the attention of worshippers for at least fifteen hundred years; it is the holiest Hindu pilgrimage destination in Nepal. There are linga images of Shiva along with statues, shrines, and temples dedicated to other deities in the complex. A temple dedicated to Shiva existed at this site in AD 879. However, the present temple was built by King Bhupatindra Malla in 1697. A gold-plated roof, silver doors, and woodcarvings of the finest quality decorate the pagoda construction. Guheswari Temple, restored in AD 1653, represents the female "force". It is dedicated to Satidevi, Shiva's first wife, who gave up her life in life in the flames of her father's fire ritual.

Lord Shiva once more escaped from Kailas and came back to Pashupati as a hunter, but Parbati followed him disguised as a beautiful huntress. Shiva tried to seduce her, and discovering her true identity returned home shamefully. Kirateswar Temple commemorates this rather unfortunate jaunt.

A circuit of the Pashupati area takes visitors past a sixth-century statue of the Buddha, an eighth-century statue of Brahma the creator and numerous other temples. Some other places to visit are Rajrajeswari TempIe, built in 1407, Kailas with lingas more than 1,400 years old, Gorakhnath temple, and the courtyard of Biswarup. There are rows of Shiva shrines and Hindu pilgrims from all over South Asia offering puja worship to Shiva, the Lord of Destruction.

The Bagmati River flows close by and the Arya Ghat cremation grounds are here. We strongly advise photographers not to take photos of cremations and of bereaved families. Sadhus, sages who follow the lifestyle of Shiva, may be seen covered in ashes and loin-cloths. They ask for money in case you want to take their photos. The main Pashupatinath courtyard may be entered by those of Hindu faith only.

Narayan, or Vishnu, is the preserver of creation to Hindus. His temple near Changu village is often described as the most ancient temple in the Kathmandu Valley. A fifth century stone inscription, the oldest to be discovered in Nepal, is located in the temple compound and it tells of the victorious King Mandev. The temple now covers sixteen hundred years of Nepalese art history. The temple, built around the third century, is decorated by some of the best samples of stone, wood, and metal craft in the Valley. In the words of one tourist guide, "When you look upon Changu Narayan, you observe the complete cultural development of the Valley."

On the struts of the two-tiered Changu Narayan Temple, are the ten incarnations in which Narayan destroyed evil-doers. A sixth-century stone statue shows the cosmic form of Vishnu, while another statue recalls his dwarf incarnation when he crushed the evil king Bali. Vishnu as Narsingha disemboweling a demon is particularly stunning. The western bronze doors sparkle in the evening sunlight, dragons decorate the bells, and handsome devas stare from the walls. Garuda, half man and half bird, is the steed of Vishnu, and his life-sized statue kneels before the temple. The favorite of many tourists is the statue of Vishnu sitting astride his steed.

A couple of hours' drive from Kathmandu takes you to the hilltop temple. Bhaktapur, a medieval city and a World Heritage Site, is en route and is worth a trip. (See article on Bhaktapur.)

Bouddhanath is among the largest stupas in South Asia, and it has become the focal point of Tibetan Buddhism in Nepal. The white mound looms thirty-six meters overhead. The stupa is located on the ancient trade route to Tibet, and Tibetan merchants rested and offered prayers here for many centuries. When refugees entered Nepal from Tibet in the 1950s, many of them decided to live around Bouddhanath. They established many gompas, and the "Little Tibet" of Nepal was born. This "Little Tibet" is still the best place in the Valley to observe Tibetan lifestyle. Monks walk about in maroon robes. Tibetans walk with prayer wheels in their hands, and the rituals of prostration are presented to the Buddha as worshippers circumambulate the stupa on their hands and knees, bowing down to their lord.

Many people believe that Bouddhanath was constructed in the fifth century, but definite proof is lacking. The stupa is said to entomb the remains of a Kasyap sage who is venerable both to Buddhists and Hindus. One legend has it that a woman requested a Valley king for the donation of ground required to build a stupa. She said she needed land covered by one buffalo's skin and her wish was granted by the King. She cut a buffalo skin into thin strips and circled off a fairly large clearing. The king had no choice but to give her the land. The Boudha area is a visual feast. Colorful thangkas, Tibetan jewelry, hand-woven carpets, masks, and khukuri knives are sold in the surrounding stalls. Smaller stupas are located at the base. Gompa monasteries, curio shops, and restaurants surround Bouddhanath. Conveniently situated restaurants with roof-top patios provide good food and excellent views of Bouddhanath.

It is easy to be overwhelmed by the seemingly uncountable monuments in the Kathmandu Durbar Square. The house of the Living Goddess, the ferocious Kal Bhairab, the red monkey god, and hundreds of erotic carvings are a few examples of the sights at the Square! The buildings here are the greatest achievements of the Malla dynasty, and they resulted from the great rivalry between the three palaces of Kathmandu, Patan, and Bhaktapur. The Valley was divided among the children of Yaksya Malla. For visitors today, and for the Nepalese, it was serendipitous that they, and later their off springs, began an artistic warfare trying to outdo each other in splendid constructions. Kings copied every thing their neighbors built in an even grander style. A visitor who wanders around the Square will see a round temple in the pagoda architectural style, the temple of Goddess Taleju (who played dice with King Jaya Prakash Malla), and an image of Shiva and Parbati sitting together among the many monuments.